Sunday, August 18, 2013

Hearts To You

Greetings Dear Reader,

I recently spent a challenging and delightful weekend in Valentine, Nebraska sharing a workshop with the Sand Painters Art Guild.


I say "sharing" because this group of dedicated artists already spends hours each month honing their life drawing and plein air skills. It's not like they needed teaching, especially.  My job was to simply demonstrate how I start a painting and convey clearly and concisely what I was doing and the why behind that. 

Yeah, that makes me laugh too. 

Those of you who have tried this exercise know how tricky it can be. Keeping track of shapes and colors while stringing words together in some semblance of language is challenging to say the least.
 
I think my first sentence was something about ... the thingy... and the delie-o ... whatchamathinger ...gahhhhh...
 
 
Once the words started flowing however, some terrific discussions ensued about color and brushstrokes, creating atmosphere and the challenge of values. I had to be on my toes with this group.
 
It's so easy when leading a workshop to inflict one's own style on everyone else. Do this, then this, then that and ... voila! The entire class ends up with an imitation Scarborough! Trust me, one of me in the world is plenty.


 


It seems infinitely more useful to share some basic concepts and at the same time, use those ideas so they can be understood in their proper context.  Cool colors recede, warm colors appear closer, texture and line can be used to help compose are all simple, yet powerful devices for painters to understand. 
 
Painting while verbalizing the why's and how's put those theories into action.
 
 
 
And then...
 

... their turn. 
 
The challenge for an instructor in my humble opinion is to get out of the way and empower each artist to figure things out for themselves. They'll (hopefully) keep painting long after I've scraped my palette clean and gone home. That's when the hard work begins, and the most exciting potential for discovery occurs.  
 
That is what the instructor's job should be. To honor the potential of each person in their class, and to find ways to encourage each individual's journey of discovery. 
 
Sand Painter's, it was a blast hanging out with you. Thank you for your attention, your bravery and your willingness to step up to a challenge. Now ... go paint something!



Sunday, July 28, 2013

Play Day

Greetings Dear Readers -

It's too lovely outside to spend another minute at my computer, so I'll simply share a painting I've done this last week. 

For as rich and robust as geraniums are when they're in full bloom, there's something delicate and lovely about them as the petals fall and what remains is revealed.



©2013Patricia Scarborough  All That's Left, 10 x 8 oil
Lets all go outside and play now, shall we?

 

Sunday, July 21, 2013

New Direction


©2013 Patricia Scarborough  Hot Start to an August Day  12 x 12 pastel
Greetings Dear Reader -

The Day Trips exhibit is safely hung on the walls of The Burkholder Project. Suddenly I'm without an anchor; no deadlines, no focus, no theme to corral my ideas.

I feel a little like a kid in a candy store. Where do I start?

I enjoyed the challenge of the piece above from the Day Trips series. Could it be a new avenue for me to pursue?

For a long while I've been coveting the lanky spare lines of Nebraska's grain elevators. They are a completely different animal from my usual landscape, yet, in a way, still from the same rural place. Despite their very gritty, dusty machine-like appearance, elevators have a kind of exotic elegance that fascinates me.

I've been trying out some ideas. You get to be the first to see what's been on my easel.




It's not just about the structure of these gigantic insect-looking things. It's about what they represent, their purpose, the time of year...

...birds mysteriously roosting on invisible cables...

the unintended beauty of their architecture...

... the way they bump up against, and fade into, the atmosphere.
©2013Patricia Scarborough  As yet untitled pastel, about 14 x 16
 
It's a terrifically exciting challenge.  Rather than leap into what I know and allowing muscle memory to take precedent, I'm back in the game, wondering what...how...when...

There's no better place to be.



Sunday, July 7, 2013

Day Trips Review

Greetings Friends -

If you've been paying any attention at all, you know I opened a new collection last Friday evening at The Burkholder Project with ceramic artist Sharon Ohmberger.  Also exhibiting their work were
Karen Krull Robart in the Skylight Gallery, Susan Hart and Tom Quest in the Outback Gallery, and Albert Maxey and Herschell Turner in the Special Exhibit Room. 

Yes, it's a big place.

I heard many times during the evening, "Hey, you been workin' hard!" 

Yes, I have.

What does it take, exactly, to get an exhibit like this up and running?  It's fairly simple, really.

First, you get yourself a Handsome Husband. Without HH, none of this would be any fun.

 Me and the Big Double H. Thanks for the photo, Mary!

Spend several months challenging yourself to make the finest art you're capable of making.



Then get yourself a friend, mentor and gallery owner...


Anne Burkholder and me

Don't forget the details...







Ready? Pick up from Warren, your Framer Extraordinaire, wrap carefully and deliver to your gallery space!



Be sure to work with a terrific artist and all around delightful person...



Sharon Ohmberger setting up earlier in the week
Ta da!


Open the doors and spend a lovely evening with friends and patrons, who will hopefully become one and the same!










Be sure to thank those folks who work hard behind the scenes making sure you look good:
Anne Burkholder, Lisa Holmquist, Pam King, Warren Cradduck, Handsome Husband and others who put up with my whining...then


spend the next day relaxing and being grateful!