Back when I was in 3rd grade we were initiated
into the world of maps and geography. It was year to study the Fifty Nifty
Yoo-nited States. On a map pulled down
like a heavy window shade our teacher would reveal our country to us in rainbow of
hues; Nebraska was green, South Dakota was pretty pink,Iowa daffodil yellow.
As a child who relied on adults for most of my
information about the world, you can imagine my surprise to find out, as a 4th grader crossing the Mighty
Missouri into Iowa on vacation, that the Missouri River was not bright blue nor very
mighty, and Iowa was not, in fact, a pretty shade of yellow.
I felt a little of that even last week as Handsome Husband
and I jetted across the central United States on our way to a conference in Phoenix,
Az. As we flew thousands of feet above the earth I looked vainly for those large
black dots indicating cities, the dotted and dashed lines showing boundaries, and
yes, the subtle but sure colors that would differentiate Nebraska, Colorado, and
Arizona. It’s a concept that gets filed with the Easter Bunny, Santa Claus and
the Hairy Scratch, which is to say that some of us agree not to talk about it in
the presence of others, but we know inside it’s real.
While HH was busy at his conference I walked the downtown Phoenix area and marveled at how beautiful that part of the city was. Together we enjoyed browsing through Scottsdale galleries filled with stunning landscapes, abstracts and sculptures. We were both delighted at the color and vibrant brushwork of a collection of Russian Impressionist paintings, and equally intrigued in how current artists view our modern world.
Of course, we managed to do a bit of tourist-y sightseeing as well...
While HH was busy at his conference I walked the downtown Phoenix area and marveled at how beautiful that part of the city was. Together we enjoyed browsing through Scottsdale galleries filled with stunning landscapes, abstracts and sculptures. We were both delighted at the color and vibrant brushwork of a collection of Russian Impressionist paintings, and equally intrigued in how current artists view our modern world.
Of course, we managed to do a bit of tourist-y sightseeing as well...
In the land of summer all year long the contrast between metropolitan living and my hometown was vast. Our hotel probably employed more people than populate our entire community.
Yet there were some amazing similarities...
Both Arizona and Nebraska have lovely trees...
. . . both Phoenix and Geneva have government buildings...
... both places have nice paths and roadways ...
... we've got rivers ... so do they...
... and artists the world over find ways to share their artistic endeavors ...
It was good to get away, and equally good to come home. Since returning I've been putting the finishing touches on a few paintings before packing them up for my upcoming exhibit.
I'll be the featured artist at Stuhr Museum in Grand Island, Ne. during the museum's annual Wings Over the Platte Juried Art Exhibit. My exhibit is titled Land Marks, a reference to both the method of creating a landscape as well as the natural features unique to the Platte River Valley.
All of this coincides with the highly anticipated return of the sandhill cranes on their migratory path this spring. This event brings people from all over the world to witness the incredible spectacle of hundreds of thousands of sandhill cranes funneling themselves through this vital area of the Platte River.
Wings Over the Platte and my exhibit, Land Marks, open Thursday February 16th and will be available until Sunday, April 1st.
Your call to action? Head out to the Grand Island Ne. area, watch cranes , hear their amazing warbling and enjoy their dance. Then scoot over to Stuhr Museum and see how artists from across the country, interpret the Platte River Valley in a variety of media.
Arizona can't match that.
















